100th Post Anniversary & Design Wall Weekend #4

Whoo-Hoo!  Today is my 100th published post!

Little Stitch book by Christina Fairley Erickson
Hand-dyed wool/acrylic felt, hand stitched with hand-dyed and
commercial pearl cotton, embroidery floss and yarn

This week, I've been working mainly on finishing up some little hand-stitch samples which I'm making into books.  It's a bit different from my typical heavily machine stitched and freemotion quilted pieces, but they've been fun and relaxing.  Here is my first book I've completed:

I'm still a little unhappy with my binding, but I think it may just require more practice to get it right.  Since this was my first time to actually complete a hand-made book, I'm pretty happy with it.

Binding of my book

Stitch sampler on cover- Running Stitch, Back Stitch,
French Knots, Seed Stitch, and Fly Stitch

Running or Straight Stitch Sampler

Back Stitch Sampler

Seed Stitch Sampler

French Knot Sampler

Fly Stitch Sampler

Now to some fun with Design Wall Weekend!

Design Wall Weekend #4 -- What do You Have on Your Design Wall?

What kind of blogs should link up?

I think that it's best to have content that matches the content and interests served with the blog that's hosting the party, so please only link up if your blog post is about any of the following:

• Quilting and fabrics 
• Fiber art of any kind
• Hand & machine stitch or embroidery
• Mixed media art
• Book-making, art journals, and sketchbooks
• Tutorials for any quilting, fiber, mixed media, sketchbook and other arts
• These can be works in progress or finishes

Rules for the blog linking party

• Mention Fiber Artist Journey in your post, either with a link or button-use the direct link to the specific post - not just your main blog website (this helps with your search engine position.)   If you have buttons on your sidebar that works great, please just at least mention something in your post, for example "I'm linking to Fiber Artist Journey, see my sidebar for their button."  An example of a link to a specific post would be: http://fiberartistjourney.blogspot.com/2013/04/red-hot-chili-peppers.html rather than http://fiberartistjourney.blogspot.com . If you need help on how to add your link, read this.

• If you follow my blog, I'll follow yours!  PLEASE make sure to comment and tell me you're following, and I'll visit and  follow yours too.)

• Please take the time to visit other links, everyone loves new visitors and comments!  Try to comment on at least two other blogs in the party.

If you would like to add a button to your blog you can copy the code which is below my buttons and add it as a gadget on the layout page of your blog. Here is a tutorial on how to do it.

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Other Great Blogs to Link Up with and Check Out!

The FreeMotion Quilting Project

Confessions of a Fabric Addict

Nina Marie Sayre's Art Quilt Blog

What a Hoot Quilts

Five Days of Stitch Heaven

Christina standing below hand-dyed
embroidery threads

I'm back from five days in "stitch heaven" with Gail Harker.  The class, "Experimental Hand Stitch" focuses on Procion MX dyeing of embroidery thread and a wool/acrylic felt to stitch on, and then learning some of the basic embroidery stitches and how to use them in a contemporary context.

My friends", Debbie and Rebecca, dyed felts and threads

The felt and threads are vibrant and beautiful.  Gail feels that having your materials inspire you is important, so she helps her students understand their color choices and combinations to be successful with the dyeing process.

Some of my dyed felts and threads

I basically stuck with an analogous color scheme from yellow-green through red-violet.  If you're unfamiliar with analogous color schemes, it means that you pick colors that are adjacent to each other on the color wheel.  So the colors I worked with were greens, blues, and violets.

After our dyeing days, we started doing small stitch samplers.  Each stitch will have its own page in a small stitch book (we even learned how to bind our books!)  We also worked on documenting our samples within a sketchbook, including what threads we used, any observations we have, needles that were chosen, etc.

More Procion MX Dyeing

Wow... another fantastic day of mostly working with Procion MX dyeing at the Gail Harker Center for Creative Studies.  To be completely honest, I'm pretty tired... this can be hard work.  So, I'm going to keep it short and sweet tonight, and just put up some images and descriptions of the processes and projects we worked on.

First, our hand-dyed embroidery threads are totally luscious!  Here they are drying in our classroom.  We had to rinse them out and then set the color in hot water with Synthropol today.

We then started dyeing wool-rayon felt, which we'd cut into pieces prior to class, and will be making into hand-stitched books.

Felt with dye poured on (wet)

The felt totally soaks up the dye... you have to pour it on and it looks horrible and dark for the most part.

Rinsing out the felt

After allowing it to sit for a few hours, we rinsed it out and also set the dye with Synthropol.  Since the felt soaks up so much water, we had to carefully wrap it in towels to help dry it.  You don't want to press or agitate it very much, or it starts the felting process.  We then left it to completely dry overnight.

Felt dyeing

Rinsed felt for hand-made stitch books, laid out to dry

We also worked with painting dyes on sketchbook pages.  We do these in 2-page "spreads" so that they will go together when the book is opened.  We then fuse pages together, to make the pages stiff and able to be stitched on.  We started working on a few pages by drawing a design on them, then punching holes through the paper with a darning needle.  We then can easily put our stitches through the holes.

Some sketchbook pages painted with dye

I believe we're done with the dyeing now... on to more stitchwork tomorrow!

A two-page spread for a sketchbook, painted with Procion MX dye

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Check out these other Great Blogs!
For great ideas on freemotion quilting, check out Leah Day's FreeMotion Quilting Project

Dyeing to Embroider

I spent the day literally dyeing to embroider... yes, I am anxiously awaiting getting down to stitching, but I mean "dyeing" with an "e" in it.  Rather than using all commercially available embroidery floss, we spent the day making our own threads, for the first of 5 days in "Experimental Hand Stitch" at the Gail Harker Center for the Creative Arts in LaConner, WA.  I've always salivated at the yummy colors of hand-dyed threads.  Now I know how to make them!

First, we had to prepare the skeins of thread.  There are two main types of embroidery thread, pearl (or perle in French) cotton which is a twisted cotton and cotton floss (also known as 6-stranded cotton.)  Pearl cotton comes in many different thicknesses: 3, 5, 8, 12, and 16, with 3 being the thickest and 16 being quite delicate.  Six-stranded cotton is literally that, 6 strands that you can separate, depending upon how thick a piece you want for your project.  Of course there are many other types of threads or yarns you can use for embroidery and any natural fiber will work for dyeing (silk, rayon, bamboo, etc.)  We have several unusual yarns and threads as well as the pearl cotton and cotton floss.

To prepare for dyeing, we had to get the thread into skeins (some of it came on balls or rolls that we had to wind into a skein) and then tie the skeins about every 12 inches (30 cm), to make sure it wouldn't get tangled up.  We used a figure 8 tie with a square knot, tight enough to hold the skein in place, but not so tight that it would cause a resist and have the thread not take up the dye underneath the tie.

As with any Procion MX dyeing, we then soaked our threads in a soda ash solution, so that the chemical bond would occur in the fiber when the dye  is introduced.

The next step was to use a syringe to "paint" the colors on the thread.  As you inject the dye onto the thread, you then need to smoosh it down to ensure that it is completely saturated, particularly wherever the ties are.    I chose to mainly go with an analogous color scheme from yellow-green, to green, to blue-green, to blue, to blue-violet, to violet.  With sticking to one color scheme, I can be assured that my projects using these dyed threads will go together.

When all the dye is on the threads, you carefully roll the threads up in plastic (see red arrow) and then leave it overnight to process.  I can't wait to see them in the morning!

My Mom, Nan Lopis, working
on her dyed threads

The best thing of all... my Mom has joined me for the 5 day class at Gail Harker's!  I was concerned that the dyeing might not be something she'd enjoy (she'll love the hand-stitching), but she came through like a champ, and made a lovely yellow-olive-greens colorway of threads.

Note: all the threads in the photos above have wet dye on them.  The colors will change somewhat upon the dye setting and washing them afterwards.  One of my favorite parts of dyeing is when you unwrap it the next day and wash it out... it's like getting a present!









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