When I first discussed my
52 week 5" x 7" challenge here on this blog, I really didn't think much beyond my desire to get myself in the practice of creating and being accountable to do my work each week to my readers. However, since then I've recognized that many of you also may have the same issues as I: not enough time, too many competing demands for the little time we have, the desire to develop ourselves as artists, and the big one... fear of failure.
Well, I've made the commitment and have extended the invitation and I hope you'll join me in going for the challenge! I admit I'm a little ahead, as I started my first week's piece back in early December. I finished up my freehand machine embroidered Zebra over the holidays and today I spent my studio time making a "pillowcase binding", practicing micro-stippling, and starting the quilting for the piece.
I was inspired this last week when I went to the
LaConner Quilt and Textile Museum and saw a piece there that was made by
Cathy Erickson (no relation, but she's also a member of
CQA.) Cathy's quilt on display had won the best machine quilting for the LaConner International QuiltFest last October, and it's no surprise. Cathy has some of the most beautiful micro-quilting that I've ever seen. If you're not aware of micro-quilting, it is quilting designs in miniature... almost microscopic. Lines may be as close as 1/16" apart. In general, you need to use lighter weight threads to get this incredible lace-like effect.
To get some practice, I started with one of my favorite blogs,
Leah Day's Free Motion Quilting Project and found her instructions and video on
Microstippling. I did a sampler using Leah's instructions and then made several samples of micro-quilting, using different pattern ideas... one with a squared edge stipple, one like grasses, one irregular stripes (like the zebra) and another grid pattern. I looked at each of them alongside my zebra and then chose one for my quilting background. Which one do you think I picked? Tune in next week....
I also found from Leah's site a wonderful blog which shares work in progress each Wednesday. It's called "
Freshly Pieced". Make sure to check it out!
Tonight I spent a little time thinking about my next design. As you may know, I've had windmills and the Moulin Rouge on the brain for many years. Since the late 19th century, the Moulin Rouge has been an inspiration
for artists. It has symbolized the
bohemian lifestyle and served as a gateway to Montmartre, the neighborhood in
Paris where writers, artists, and philosophers
congregated. Most notably, Henri
Toulouse-Lautrec captured many scenes of the Moulin Rouge in the 1890's,
helping to assure its fame through his lithographic posters. Most people are familiar with the Can-Can, a
dance popularized at the Moulin Rouge. My quilt pictured here is the exterior of this famous windmill (Moulin in French) at night, from a photo I took in Paris in 2009. The reader board image, freehand machine embroidered, of "120 ans" is celebrating the 120th anniversary of continuous operation of the infamous nightclub.
So, I was playing around with colored pencils and here is my potential for next week's 5x7 challenge. I'm thinking of doing the four areas in between the windmill blades in two pieced groups of complementary colors (blue & orange, violet & yellow). I'm still considering how I want to do the windmill blades.
I think getting started is the hardest part... I feel a little bit of trepidation about whether I'll be able to sustain my production or not. Anyone else sharing this fear? I can't wait to see what you create!
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