Week 1 of the 5 x 7 Artist Challenge

For my first week of the 5 x 7 Artist Challenge, I completed a little freehand machine-embroidered piece that I've been thinking about for some time.

Freehand machine embroidered and quilted by
Christina Fairley Erickson

This zebra was adapted from a photo, drawn onto the fabric with pencil, then stitched on top.  It's difficult to see in this photo (see enlargement below), but his mane has white stitching between the black parts, although I didn't stitch the white over the rest of him.

My choice of fabric is all cotton, with an interesting weave (again tough to see in the photo)- nubby- sort of like raw silk.  This proved to be a factor in choosing the background quilting, as when I made some practice samples using different freemotion quilting designs, it seemed to look best with a more geometric style, rather than one that has lots of swirls or undulating pattern.  I think the grid works well to not compete with the main focus of the zebra.

Close-up of stitching.

I think the piece works for me... it was good practice both with the machine embroidery and the small-scale quilting.  The zebra is a natural extension of my equine quilts and passion.

Tomorrow I'll finish up my story of the quilt show theme: "Fiber Artists Look at Innovation and Civic Action."


Hopefully we'll have a few other photos to post on our 5 x 7 Artist Challenge as well.  Remember, you can join at any time.  Post your photos to: http://www.flickr.com/groups/5x7_artist_challenge/

You might also be interested in:
2013 Open 5 x 7" Challenge
Getting Started May be the Hardest Part
52 Week 5" x 7" Challenge to Readers

Other Blogs You might want to check out:
Freemotion by the River - Lovely Traditional Quilts and Projects
QuiltStory - Quilts and Patterns
From My Front Porch to Yours - Beautiful Home Decor Projects

Getting Started may be the hardest part

When I first discussed my 52 week 5" x 7" challenge here on this blog, I really didn't think much beyond my desire to get myself in the practice of creating and being accountable to do my work each week to my readers.  However, since then I've recognized that many of you also may have the same issues as I:  not enough time, too many competing demands for the little time we have, the desire to develop ourselves as artists, and the big one... fear of failure.

Well, I've made the commitment and have extended the invitation and I hope you'll join me in going for the challenge!  I admit I'm a little ahead, as I started my first week's piece back in early December.   I finished up my freehand machine embroidered Zebra over the holidays and today I spent my studio time making a "pillowcase binding", practicing micro-stippling, and starting the quilting for the piece.

I was inspired this last week when I went to the LaConner Quilt and Textile Museum and saw a piece there that was made by Cathy Erickson (no relation, but she's also a member of CQA.)  Cathy's quilt on display had won the best machine quilting for the LaConner International QuiltFest last October, and it's no surprise.  Cathy has some of the most beautiful micro-quilting that I've ever seen.  If you're not aware of micro-quilting, it is quilting designs in miniature... almost microscopic.  Lines may be as close as 1/16" apart.  In general, you need to use lighter weight threads to get this incredible lace-like effect.

To get some practice, I started with one of my favorite blogs, Leah Day's Free Motion Quilting Project and found her instructions and video on Microstippling.  I did a sampler using Leah's instructions and then made several samples of micro-quilting, using different pattern ideas... one with a squared edge stipple, one like grasses, one irregular stripes (like the zebra) and another grid pattern.  I looked at each of them alongside my zebra and then chose one for my quilting background.  Which one do you think I picked?  Tune in next week....

I also found from Leah's site a wonderful blog which shares work in progress each Wednesday.  It's called "Freshly Pieced".  Make sure to check it out!

Tonight I spent a little time thinking about my next design.  As you may know, I've had windmills and the Moulin Rouge on the brain for many years.  Since the late 19th century, the Moulin Rouge has been an inspiration for artists.  It has symbolized the bohemian lifestyle and served as a gateway to Montmartre, the neighborhood in Paris where writers, artists, and philosophers congregated.  Most notably, Henri Toulouse-Lautrec captured many scenes of the Moulin Rouge in the 1890's, helping to assure its fame through his lithographic posters.   Most people are familiar with the Can-Can, a dance popularized at the Moulin Rouge.  My quilt pictured here is the exterior of this famous windmill (Moulin in French) at night, from a photo I took in Paris in 2009.  The reader board image, freehand machine embroidered, of "120 ans" is celebrating the 120th anniversary of continuous operation of the infamous nightclub.

So, I was playing around with colored pencils and here is my potential for next week's 5x7 challenge.  I'm thinking of doing the four areas in between the windmill blades in two pieced groups of complementary colors (blue & orange, violet & yellow). I'm still considering how I want to do the windmill blades.

I think getting started is the hardest part... I feel a little bit of trepidation about whether I'll be able to sustain my production or not.  Anyone else sharing this fear?  I can't wait to see what you create!

You might also be interested in:

52 Week- 5 x 7 
Challenge to Readers

52 Weeks of Art- 
A Personal Challenge

Making Fabric

52 Week-- 5" x 7" Challenge to Readers

At the National Quilt Museum, Paducah, KY

Here's a call to all you other artists out there!  I'm starting a 52 weeks of art challenge for myself and others to get creating consistently throughout the year.

I went through 3 years of design training by Lorraine Torrence, an art quilter, pattern-maker, and graduate with a Masters in Fine Arts.  Lorraine started the first session with a story from one of her teachers about a study for art students done in a university.  In it, the upper-level students were told to either 1) make one piece of art for the semester, but have the quality be their focus or 2) don't worry about quality, the grade the second group was going to be based on quantity... make as much art as they can and show the result at the end of the semester.  The result?  The work from the second group was by far of greater quality... not every piece, of course, but just the fact of repetition and developing a practice of making art regularly helped the artists really become much more than an effort at doing one really good piece.

Should you wish to participate in this challenge, you need to do the following:

1. Make 1 piece of artwork in a 5" x 7" format (13 cm x 18 cm) each week.  This can be in any media.  I recommend trying to incorporate specific design principles into each piece or play with things you haven't focused on previously.
2. Post your photos to  http://www.flickr.com/groups/5x7_artist_challenge/ I may even add these photos on the blog as examples as we progress.
3. Post a comment that you're participating in the challenge at: http://fiberartistjourney.blogspot.com/p/2013-5-x-7-challenge.html  This will help you by having you state your intention publically and be accountable to the group.
4. Do your best!  Nobody's perfect and we all have things come up... but the more you participate, the more successful you will be in your personal artistic journey.

Christina at the National Quilt Museum  with the Museum
Curator, Judy Schwender and Christina's Quilt
"Friesian Dream Come True"

Here's proof of how making a focused commitment can work... I saw a call to artists for Equestrian Art Quilts for a special exhibit at the National Quilt Museum in Paducah, KY.  They planned this show to coincide with the World Equestrian Games (WEG), which was being held in Lexington, KY (for the first time ever on American soil.)  As both a horsewoman and quilter, I couldn't let this opportunity by, even though I'd never attempted to show on a national level before.  Not only did I get accepted to the show, I was able to go visit (as well as go to the WEG), meet the curator, and see all the amazing Paducah show winners that that museum has in their permanent display.  

I hope you'll join me in the challenge... whether starting this week or anytime later in the year.  It's going to be a fabulous journey!

You might also be interested in:
52 Weeks of Art- A Personal Challenge
Fiber Funsters 10 x 16 Group Challenge